- Client Photo Gallery:
- Volume 3, 2024
- Special Edition, April 2024
- Volume 2, 2024
- Special Edition 1, January 2024
- Volume 1, 2024
- Volume 4, 2023
- Special Edition 1, April 2023
- Special Edition 1, January 2023
- Special Edition 2, January 2023
- Volume 1, 2023
- Volume 4, 2022
- Volume 3, 2022
- Volume 2, 2022
- Special Edition, April 2022
- Volume 1, 2022
- Special Edition, January 2022
- Volume 4, 2021
- Volume 3, 2021
- Special Edition, May 2021
- Volume 1, 2021
- Volume 3, 2020
- Volume 2, 2020
- Volume 1, 2020
- Special Edition, January 2019
- Volume 4, 2019
- Volume 3, 2019
- Volume 2, 2019
- Volume 1, 2019
- Special Edition, January 2019
- Volume 4, 2018
- Volume 3, 2018
- Special Edition, April 2018
- Volume 2, 2018
- Volume 1, 2018
- Special Edition, January 2018
- Volume 4, 2017
- Volume 3, 2017
- Special Edition, April 2017
- Volume 2, 2017
- Special Edition, January 2017
- Volume 1, 2017
- Volume 4, 2016
- Volume 3, 2016
- Special Edition, March 2016
- Volume 2, 2016
- Volume 1, 2016
- Special Edition, 2015
- Volume 4, 2015
- Volume 3, 2015
- Volume 2, 2015
- Volume 1, 2015
- Special Edition, 2014
- Pierre's 2014 Safari
- Volume 4, 2014
- Volume 3, 2014
- Volume 2, 2014
- Volume 1, 2014
- Special Edition, 2013
- Volume 4, 2013
- Volume 3, 2013
- Volume 2, 2013
- Volume 1, 2013
- Special Edition, 2012
- Volume 4, 2012
- Volume 3, 2012
- Volume 2, 2012
- Volume 1, 2012
- Special Edition, 2011
- Volume 4, 2011
- Volume 3, 2011
- Volume 2, 2011
- Volume 1, 2011
- Special Edition, 2010
- Volume 4, 2010
- Volume 3, 2010
- Volume 2, 2010
- Volume 1, 2010
- Special Edition, 2009
- Volume 4, 2009
- Volume 3, 2009
- Volume 2, 2009
- Volume 1, 2009
- Volume 3, 2008
- Volume 2, 2008
- Volume 1, 2008
Pierre's 2014 Safari
Late September is a very dry time of the year in southern Africa's major safari areas, presenting photographic opportunities and challenges. On the plus side, wildlife is concentrated around the few remaining sources of water with no vegetation to obscure visibility - it is a time of the year when one sees abundant game and large herds. On the other hand, the surrounding landscape is dry and barren, and dusty air can impact light quality during the "golden hour" before sunset.
My 2014 itinerary took me to southern Africa's three major freshwater ecosystems - the Okavango Delta (Botswana), the Zambezi Valley (Zambia), and Lake Kariba (Zimbabwe) - in addition to Victoria Falls and the Zimbabwe Lowveld. As expected, I saw an incredible volume and diversity of wildlife, in some of the most beautiful settings on the African continent.
The equipment highlight of the trip was the opportunity to try Canon's 200-400mm F/4.0 lens, with built in 1.4x teleconverter, which I rented from LensProToGo. It's hands down the best safari lens I've ever worked with, easily outperforming the 500mm f/4.0 lens that was my former favorite on versatility, and almost matching it for image quality at the highest resolution.
From over 1,000 captured images, the sampling below represents my 34 favorites. As is often the case, the photos that turned out to be most successful were not the "grand scenes" that attempted to describe everything from the size of the herds to the majesty of the landscape, but the micro-shots that focused on patterns, expressions, movement, and atmosphere. Some shots made it in, not by virtue of their artistic merit, but because they recall particularly memorable events - such as the 30 unforgettable minutes I spent with a young bull elephant as he forged his way across the powerfully-flowing Zambezi River, at times completely submerged but for the tip of his snorkel-like trunk. After a few shots I realized that the overcast sky and monotone greyness of the scene meant that no image would ever do justice to the amazing feat of tenacity that I was witnessing, so I put the camera down and silently cheered on the young behemoth as he played out his own small part in the daily struggle for life and death that is the great story of the African wilderness.
EQUIPMENT LIST
Camera bodies:
Canon 1Dx Canon 5dMkIII
Lenses:
200-400mm (f/4.0) USM 70-200mm (f/2.8) USM II 24-105mm (f/4.0) USM
Accessories
Gitzo GH2780TQR travel tripod Lowepro Vertex 300AW camera bag Hahnel Giga T Pro II (remote shutter release) Two batteries per camera
Filters
Tiffen Circular Polarizer Tiffen Graduated Neutral Density (ND.6) Singh-Ray Variable Neutral Density
Let us help you plan your dream safari. call toll-free: 888.227.8311 or email us today
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